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<kad_sejarah><row><Id_no>1545</Id_no><date>18/09/2017</date><Production_Number>AK/5993</Production_Number><title>FINAS – AMARICAN SOCIETY OF CINEMATOGRAPHERS</title><length>05:39:00</length><metadata>&lt;p style="margin-left:0cm; margin-right:0cm"&gt;&lt;span style="font-size:11pt"&gt;&lt;span style="font-family:&amp;quot;Calibri&amp;quot;,sans-serif"&gt;&lt;span style="background-color:white"&gt;SECARA EKSKLUSIF SEMPENA PENGANJURAN FESTIVAL FILEM MALAYSIA 29&amp;nbsp;&lt;/span&gt;&lt;a href="https://www.facebook.com/hashtag/ffm29?source=feed_text&amp;amp;story_id=1267523983359702"&gt;&lt;span style="background-color:white"&gt;(FFM29&lt;/span&gt;&lt;/a&gt;)&lt;span style="background-color:white"&gt;&amp;nbsp;IAITU PROGRAM 'INTERNATIONAL ASC MASTERCLASS' DI DALAM BIDANG SINEMATOGRAFI ANJURAN FINAS DENGAN KERJASAMA THE AMERICAN SOCIETY OF CINEMATOGRAPHERS (ACS) DAN MALAYSIAN SOCIETY OF CINEMATOGRAPHERS YANG &lt;/span&gt;DIADAKAN DI STUDIO SOUND STAGE, FINAS HULU KELANG &lt;span style="background-color:white"&gt;MENAMPILKAN DEAN CUNDEY, SINEMATOGRAFER ANTARABANGSA DI SEBALIK FILEM-FILEM HOLLYWOOD. &lt;/span&gt;TENAGA PENGAJAR TERDIRI DARIPADA:&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p style="margin-left:0cm; margin-right:0cm"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="background-color:white"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;&lt;span style="font-size:11.0pt"&gt;&lt;span style="font-family:&amp;quot;Calibri&amp;quot;,sans-serif"&gt;&lt;span style="color:#1d2129"&gt;&amp;nbsp; I)&amp;nbsp; DEAN CUNDEY (HALLOWEEN, BACK TO THE FUTURE&amp;nbsp;&lt;br /&gt;&#13;
&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;TRILOGY, WHO FRAMED ROGER RABBIT, THE&lt;br /&gt;&#13;
&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;FLINTSTONES, APOLLO 13, FLUBBER, CASPER, JURASSIC&lt;br /&gt;&#13;
&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;PARK, LOONEY TUNES AND GARFIELD)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p style="margin-left:0cm; margin-right:0cm"&gt;&lt;span style="font-size:12pt"&gt;&lt;span style="background-color:white"&gt;&lt;span style="font-family:&amp;quot;Times New Roman&amp;quot;,serif"&gt;&lt;span style="font-size:11.0pt"&gt;&lt;span style="font-family:&amp;quot;Calibri&amp;quot;,sans-serif"&gt;&lt;span style="color:#1d2129"&gt;&amp;nbsp;II) JAMES NEIHOUSE (IMAX PROJECTS THE DREAM IS&lt;br /&gt;&#13;
&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;ALIVE,&amp;nbsp;BLUE PLANET AND A BEAUTIFUL PLANET)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;span style="font-size:11.0pt"&gt;&lt;span style="font-family:&amp;quot;Calibri&amp;quot;,sans-serif"&gt;&lt;span style="color:#1d2129"&gt;III) THEO VAN DE SANDE (BLADE, CRUEL INTENTIONS,&amp;nbsp;&lt;br /&gt;&#13;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; MIRACLE MILE, CROSSING DELANCEY, ONCE AROUND,&amp;nbsp;&amp;nbsp;&lt;br /&gt;&#13;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; VOLCANO, WAYNE&amp;rsquo;S WORLD)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</metadata><file_link>&lt;Null&gt;</file_link><data_entry>adzi</data_entry><tarikh_data_entry>10/01/2018</tarikh_data_entry></row></kad_sejarah>
